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Text & Film by Alex Schuchmann

Neuza's art is a window into a parallel reality, as she plays with the aesthetics of childhood and the fantastic creatures that populate her lushly coloured landscapes.

“It doesn’t come from dreams,” Neuza replied when I asked whether her nighttime adventures inspire her work, as this was one of my first reactions after seeing her work in real life. I met her in her studio at ESAS University in Caldas da Rainha, where she is currently pursuing an MA. Neuza recently returned to Portugal after studying at Camberwell College of Arts in London. “I feel like I have to be here now,” she reflected as we discussed the contrasts between city life and rural life.

At first glance, Neuza Matias’ paintings appear as dreamlike surrealism, seemingly disconnected from the real world or what we consider tangible. However, during my brief studio visit, I discovered how much of her work is deeply influenced by her surroundings and her own childhood. “I never really enjoyed being a child,” or “I always wanted to be a grown-up,” Neuza casually remarked while painting the university space walls from white to blue.

Neuza seems to immerse herself in a fantasy of childlike aesthetics imbued with mature emotional depth, creating a contrast that evokes both humour and intrigue. Her work also reveals elements of vulnerability and innocence, as multiple characters interact—fighting, loving, crying, hurting each other, or simply existing. Each figure appears to have its own personality, purpose, or drama, sparking conversations that transcend the canvas.

After wrapping up our day in the studio, we met Henrique Hermes in town to thank him for introducing us. Cigarettes were smoked, coffees downed, and art discussed. A magical day. Find the video about it below.

  • Days in the studio with Vera Matias

    Days in the studio with Vera Matias

    One visit to the painter’s studio was not enough. Six months later we returned, drawn by the quiet force of Vera’s work—paintings that left me speechless the first time around. 

    Days in the studio with Vera Matias

    One visit to the painter’s studio was not enough. Six months later we returned, drawn by the quiet force of Vera’s work—paintings that left me speechless the first time around. 

  • Ryder the eagle - A funeral to the Self

    Ryder the eagle - A funeral to the Self

    In this conversation, Ryder The Eagle opens up about navigating sincerity, solitude, and self-reinvention through art—blending melancholy with humor, and life with performance, in a relentless pursuit of creative honesty.

    Ryder the eagle - A funeral to the Self

    In this conversation, Ryder The Eagle opens up about navigating sincerity, solitude, and self-reinvention through art—blending melancholy with humor, and life with performance, in a relentless pursuit of creative honesty.

  • A day in the studio with Bella Ferreira

    A day in the studio with Bella Ferreira

    Our second film from the American continent. The Brazilian-American painter took us for a spin around NYC and into her Ridgewood studio where she currently works on 'hair' paintings.

    A day in the studio with Bella Ferreira

    Our second film from the American continent. The Brazilian-American painter took us for a spin around NYC and into her Ridgewood studio where she currently works on 'hair' paintings.

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