Crabs, Aquariums and Birthday Parties: Painting What We Scroll Past
Earlier this year we were in Chile for a film production. Before heading south for the shoot, we had a few free days in Santiago, and I wanted to meet an artist there. A bit of research later, Antonia Teillery’s work popped up on my screen. We got in touch and met at a café in Barrio Italia, the neighbourhood where her studio is.
Jet-lagged and sweaty from walking in the sun, I started with a warm “holaaa”. With my limited Spanish it was clear this would be a day of Spanglish, hand gestures and body language. It didn’t matter. Antonia showed me how she works with images she finds online, on marketplaces, in ads, in tutorials. Crabs, aquariums, birthday parties, everyday scenes you would normally scroll past. Looking at them together, I started to see how much beauty hides in there.
We are surrounded by images all day and keep moving on to the next one. Antonia does the opposite. She takes a picture that was uploaded to sell something or document a party and stays with it until it becomes a painting.
In her studio I saw how that happens. She doesn’t copy the originals, she translates them through colour, texture and movement. She paints on thick sheets of plastic instead of canvas, which gives the work its own character. The result feels playful and a bit dreamlike, somewhere between a familiar image and a distant memory. Her paintings hold on to things that would otherwise disappear: a birthday, a forgotten object, a little creature. In her recent work she turns to things that got left behind, and you start wondering who they belonged to.
Today we share our first film from South America, a small portrait of our afternoon with Antonia. A big thank you to Amber van Acken, our new editor on this one.
If you like Antonia’s work, we have a handful of art posters in our shop, made together with her.
About Antonia Teillery
Antonia Teillery is a Chilean visual artist and painter based in Santiago. She turns images found online, from marketplaces to ads and everyday scenes, into paintings on unconventional surfaces, with a playful approach to colour and texture. Her work circles around memory, digital imagery and the quiet beauty of the ordinary. She studied Visual Arts and Aesthetics at the Pontificia Universidad Católica de Chile and also works as an educator.
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